This architectural series explores the development of form and space through conceptual strategies, focusing on the dynamic interplay between solid and void. Beginning with the idea of “double negative,” the design approach involves creating space by subtracting volumes, where intersecting voids generate new spatial conditions that transform both the voids themselves and the remaining solid mass. This exploration progresses to the development of an architectural spatial sequence, designed to engage with the specific site and human scale. The final stage involves applying these conceptual studies to a library design, incorporating site-specific contextual and programmatic needs.
Inspired by natural processes like erosion, the project examines spatial variation within voids formed by external forces such as wind, rain, and snow. By utilizing ruled surfaces and a method of subtraction, space is shaped by the flow of these movements. The design organizes and defines these intersecting forces, resulting in varied lighting conditions and spatial continuity. The focus is on perceiving solid and void through surface articulation, rather than mere subtraction, leading to the creation of a modular system based on helicoid surfaces that evolves from a small scale to a larger spatial sequence. This continuous spatial flow allows for a dynamic experience within the library, where voids are perceived as fluid and ever-changing elements.
